untitled

afternoon

2010-12-21T16:20:00.000-05:00

i spent the morning working on a drawing for a painting called warmth, wrestling with the angles, and then decided i needed to go out if only to buy a pencil and get some perspective (no pun intended.)

SO i went down to see jackie and pam, both of whom want things for their shops. i need to make some small pictures for carolina crafting, and bring my two cashmere shawls to silva gallery. they both want to show them:) the painting i was working on this morning will not work for jackie as she wants something much smaller/less.

then i went by the folk school to check out the gift shop. got another pair of the earrings i got, but never got home, last year, only these have a lapis bead on the end, instead of a pearl. i love lapis. also got another bell-bottomed blue campbell mug—and my two pencils. and then i got a little cup to drink wine from, since i so much liked holding the one i used at julie’s last night. i am an odd woman. then i couldn’t pick up the wifi at keith house, so i took myself into peachtree and had fish and chips for lunch, and did my internet stuff there. stopped by yarn cirlce again on the way back and there were steve and karen (i love this place:) visiting with martha. i’d seen steve briefly last night at the party, but i hadn’t seen karen since i left her house in summer. steve said people were playing dreidel last night until nearly 11 at least. i saw the party pictures on fb.

it’s truly drizzly / rainy this afternoon, and around 40. the sun never came out at all, and it’s been dreary, but lovely. we canceled the caroling that we’d tried to reschedule for tomorrow as there’s just too many things going on to fit it in, and i really want to stay in, anyway. i know, i can do that, i do do that at home, but that’s what i do. pam silva was saying she’s the same way about parties. i think it’s artists: we watch.

i want to make pictures of individual things for carolina crafting. i have some ceramic things i can make portraits of here, and the resin ornament michael and randy gave me, i can do that. i can make little pictures of things and not put so much into them, so i can afford to sell them for next to nothing. it’s going to take some relearning. jackie said business was slooow; pam said it was good. i wonder if it was the traffic or the type of stuff they sell? i was the only person around today. pam prices her things much higher than jackie does. she also says she needs six more knitters to keep the store full. she sells scarves for $90 and the like; jackie is in the $25 range.

the inside of my lower lip is raw from cold blisters, or allergy blisters or whatever it is i’ve got. i still haven’t figured it out. i just realized i have had this cold now just a week: a week ago i was teaching at school2. amazing. seems more like a month ago. i stayed in and rested last thursday and friday, i guess it’s about time i do it again, albeit in much nicer surroundings.

Flickr Tags: brigadoon,crossposted:untitled

2010-12-08T20:02:00.000-05:00

How To Make A Quick Knitting Nancy

2010-11-23T09:05:00.001-05:00

How To Make A Quick Knitting Nancy, originally uploaded by birdlouise.

this is absolutely perfect for little middle!

2010-11-12T09:36:00.001-05:00

zentangle 2

2010-10-24T15:22:00.001-04:00

zentangle 2 in progress

2010-10-24T13:57:00.001-04:00

zentangle 2 in progress

2010-10-24T12:40:00.001-04:00

2010-10-24T08:00:00.002-04:00

A Warm Embrace - The Great Bell Chant (The End of Suffering) from R Smittenaar on Vimeo.

view in full screen, please.

zentangle one

2010-10-23T18:27:00.002-04:00

a shaky attempt, since i was drawing in my lap, but i can do it.

meanwhile…

2010-10-23T12:10:00.001-04:00

i have managed not to post the year’s art endeavors:

my studio in brigadoon, which i will rent for several weeks a year henceforth! this was around the 4th of july:

deckling cheap sketchbook paper

experimenting with offeecolor:

watercolor class at the folk school:

finally, three finished pieces, and a new direction:

plan to produce more to put in carolina crafting, if she will have me (which she has suggested she might). plan also to start zentangles as a completely unrelated endeavor. watercolor, zentangles, knitting, some thinking about dolls, and 6 weeks a year in brigadoon: major progress made, actually, although it never feels like it, does it…and i spend too much time knitting, which is safe…

jerome's picture of driving conditions in brigadoon

2010-01-30T07:08:00.001-05:00

not liking the brightkite/fb interchange much anymore...

2009-12-25T10:48:00.001-05:00

and i'm not wild about posting via email either, but let's see if this works better.

Posted via email from elithea's posterous

Untitled

2009-12-11T08:33:00.001-05:00

so i want to test from this machine and i can't find anything to upload! for me, this is the equivalent of being speechless!

Posted via email from elithea's posterous

Mexican Marketplace Mural

2009-10-12T19:23:00.001-04:00

Mexican Marketplace Mural, originally uploaded by paintedpaper.

2009-08-28T20:39:00.000-04:00

look at this!

2009-02-15T12:25:00.003-05:00

Enchanted Doll from Chad Isley on Vimeo.
this is entirely handmade, the work of Marina Bychkova, a young vancouver woman just three years out of art school (apparently this video was made while still in school.) she was born and a child in siberia, which so obviously informs her aesthetic. and my god, what will her work be like in 30 years! incredible.

on deck

2008-12-06T18:14:00.000-05:00

my first art project

2008-12-06T08:05:00.003-05:00

concrete stool (seat) mosaic, vista mar school, daly city CA, circa 1959. photo by thomwatson, whom i do not know, september 2007.

eta: feb '09--i'm going home in april and have already contacted the school in hopes they'll give me access to take somepictures, since the photographer of this one so kindly completely ignored me when i messaged him on flickr.

2008-10-18T21:18:00.001-04:00

gazing at my panel before the crit

2008-10-18T17:15:00.001-04:00

when i'd finished i asked him what would he change, how did he think it looked?

"damn good," he said.

my panel

2008-10-18T17:14:00.001-04:00

click on picture for jumbo detail.

2008-10-18T17:13:00.001-04:00

(originally posted to ravelry.com)

they’re here! general lecture last night; can’t wait for today’s workshop!! i had been worried as the shop that’s brought him seemed rather clueless about what he’s all about…f’instance they had us buy yards of 20 different shades of one colorway and precut 6 diamonds of each so we’d be “ready”. i bought 40 basic pallette 99 cent fat quarters at joann’s instead and turned those into 6 diamonds, or half of them i did and then asked kf/bm after the lecture. of course, they said no, don’t cut anything yet!! and i felt much better. he said he can’t wait to see how we mix ours with his fabrics and the shopowner piped up “oh, it’s going to be all your fabrics, kaffe, we love them!” to which he replied “then we’ll just pull some others down from the walls and mix things up!” (just as i was leaving bm whispered to me “if you’ve got any fabric at home bring that, too!” alas, i had to confess that i didn’t as i’m really a knitter in mufti.)

the room turned out to be a wedding tent out near the pool with a noisy generator powering the ubiquitous air conditioning; i saw kf sitting out by the pool near it, very still and mild, and somehow i just didn’t feel i could approach him, continuing to think maybe i’d made a big mistake raiding my savings for this weekend at this clueless shop and there he sits so still and seemingly biddable….WRoNG!

so i needn’t have feared, kf was wonderfully commanding and himself. in response to one of the few questions he said he doesn’t really plan what to do next but just flows creatively. whereupon bm couldn’t stand it and mentioned that actually kf’s diary is filled 8 months in advance and he has no cllue; kf admitted what one needs to flow creatively is to have a brandon:)

turns out he’s one of those performers who can (must, probably) turn it on and off like a current and i suppose he was simply in rest mode storing up (if you can imagine kf sitting alone by a pool outside a quilt venue and absolutely no one, including me, approaching him! on reflection, that in itself is pretty commanding, isn’t it.) first thing he did when on was call for the a/c to be turned off (thankfully, as far as i am concered.) but you should have seen the room still, i’m sure they all thought they were about to to die in an unmediated state. and then he just marked time until it did, indeed, go off, and only then then slides started.

so good to hear him ramble over the familiar images. although he seemed to sense part-way through that people were looking bewildered, which i hadn’t noticed, not looking at people (they always seem so to me) but very hard at slides, me. but the main thing i learned by example, i think, is that i, personally, need to be more intellectually aware of the things that are around me, to allow them into my mind as well as my eyes; i know from experience that they go into receptor storage without me knowing anyway, but i can’t really think about them that way, now can i. f’instance: i think of this place as being featureless tasteless corporate targetmart, but kf congratulated tampa on its appreciation of color. i didn’t realize tampa appreciated color; whenever i use any eveybody falls all over like they’ve never before seen such a thing. of course, he probably congratulates everywhere he goes on something, but still. if i had to recommend someplace to go to see something, or even just to dinner, to someone i respect artistically–anyone i’ve known, for instance, or say kf/bm, as an exercise– i wouldn’t be able to do it. i’d probably say the tampa theatre. or the columbia in ybor. lately i stay in my studio and make my own world as compensation/deflection. not that i want to change that part so much but i do need to become a bit more aware, i think. kf was sitting by the pool in the off mode and he was probably looking, not at dreadful social phenomena, but at the colors.

the lecture was wonderful and marred only by a near-total lack of audience participation, which ended things a full hour early. i don’t think there was one person in the audience under 50 and i have no idea what the rest thought–possibly entirely about air conditioning, i don’t know. i then bought some kf fabrics (i had planned to do so to augment the basic pallette fat quarters): six 1/2 yds for about $27, which i thought quite good, and i plan on allowing myself carte blanche (emphasis on the carte) no matter what comes up at today’s workshop. we’re doing the diamond pattern and i don’t want to make a quilt per se, but rather a 30” wide banner (+/- 10 ft?) of sorts for my “classroom” (probably giving the shopowners apoplexy) but i’m so psyched and relieved to find the actual kf i had expcted and more! got my glorious books from the 80s signed last night: 6 hours today, i want every second!!!!

one other thing? it’s so GOOD to hear my home accent again. genuine mid-20thC northern california via shakespeare –there seem to be so few of us left!

(videos of the final crits are on eezeye.)

kaffe workshop stash

2008-10-12T10:37:00.001-04:00

2008-10-08T17:18:00.000-04:00

autumn in the hall

2008-09-07T13:08:00.001-04:00

the view from here, now.

2008-08-30T13:07:00.003-04:00

testing friendfeed

2008-08-19T11:53:00.000-04:00

does this show up?

black beauty comes home

2008-08-03T10:25:00.000-04:00

singer standard 221

2008-07-13T18:59:00.001-04:00

singer standard 221, originally uploaded by elithea.

found in the bowels of The Closet: my mother's machine

singer standard 221

2008-07-13T18:58:00.001-04:00

singer standard 221, originally uploaded by elithea.

it IS a featherweight!

singer standard 221

2008-07-13T18:57:00.003-04:00

singer standard 221, originally uploaded by elithea.

it has ephemera!

singer standard 221

2008-07-13T18:57:00.001-04:00

singer standard 221, originally uploaded by elithea.

The standard model has a shiny black finish, called 'japan'. The bed of the machine is decorated with gold decals. Non-crinkle AF serial-numbered machines in original condition will have a chrome plated scroll design faceplate and a silver handwheel rim. Non-blackside AG serial-numbered machines also have a chrome plated scroll design faceplate and either a silver or black handwheel rim. After approximately AG818000, the handwheel rim is predominantly the shiny black japan finish....the plated striated faceplate...was introduced on Featherweights during the AH serial number series in 1947.

singer standard 221

2008-07-13T18:56:00.001-04:00

singer standard 221, originally uploaded by elithea.

Singer's Role in WWII

Prior to !WWII, employment at the Elizabethport, N.J. Singer factory totaled 5,000. The 113 acre factory comprised 48 buildings with a combined floor area of over 2.6 million square feet. The self-sufficient plant included a foundry, wire drawing mill, hardening and tempering facilities, as well as machining and press operations. The factory produced its own nuts, bolts, springs and pins, tools, gauges and fixtures and contained a photographic and printing plant as well as metallurgical and chemical laboratories for the testing materials.

Increased demands for family sewing machines, repair parts and needles began to be felt in late 1939. The Singer factory in Scotland was engaged in the war effort and shipping throughout Europe was limited which resulted in Singer sales outlets normally supplied from Scotland turning to Elizabethport for family sewing machines and machine parts. By 1940, France had fallen and England was on the verge of collapse. Demand on Elizabethport was further increased by sales outlets attempting to build stock in anticipation of the United States becoming involved in the war. Through 1941 Elizabethport met the demands for family sewing machines, parts, and needles and increased their volume of war work and industrial sewing machine production.

During this period the use of materials such as copper, iron, steel, and aluminum became critical and production of civilian goods such as family sewing machines was completely stopped by order of the War Production Board. The order stopping family sewing machine production—Limitation Order L-98—became effective June 15, 1942. Between that time and July 1945 production of family sewing machines at Elizabethport was completely stopped and only limited production of repair parts and needles was allowed by War Production Board regulations. The halt of the supply of family sewing machines to sales outlets for a period of over three years presented a critical problem to the sales organizations. In addition to the stoppage of family sewing machine production, the board ordered the majority of existing stock of completed family sewing machines frozen and earmarked for use by government agencies. Releases of frozen stock were authorized throughout the war, most to South American countries in promotion of the National Good Neighbor Policy.

Elizabethport personnel who were released from working on family sewing machines due to Limitation Order L-98 were absorbed into the factory's war production effort. Singer's American factories were responsible for the development and production of a variety of items for the war effort including:

* .45 caliber automatic pistols
* M5 Director equipment to control the fire of 37mm and 40mm anti-aircraft guns
* B-29 gunfire control computers
* Hydraulic servo assemblies
* Subassemblies for the M7 Director 90mm anti-aircraft gun
* Gun turret castings for the B-29 bomber
* Castings for aircraft engine piston rings
* Gun sights for the Mark XV 3-inch, 5-inch, and 40mm anti-aircraft guns on naval ships
* Caliber .30 M1 carbine receiver
* Director M5 parts
* Parts for the Sperry Directional Gyro and Artificial Horizon instruments
* Housings and covers for the A3 Automatic Pilot
* Parts for the T-1 bomb sight
* Ammunition boxes
* Time and percussion fuses
* Variable pitch wooden propeller blades
* Special types of motors for fire control and other ordnance equipment

As a way to acknowledge the importance of the industrial workers to the war effort, the Army-Navy Production Award "E" Pennant was created. Awarded to a plant rather than a company, it consisted of a flag to be flown over the plant and a lapel pin for every employee within the plant. In NovemberNavy 'E' Award Poster 1942 Singer's Elizabethport, New Jersey plant received the Army-Navy "E" Pennant in recognition of its outstanding production of needed war material. In July 1945, Elizabethport Works was cited for the fifth time, and a fourth star was added to the pennant.

Because of its foundry, tool room, and press and screw machinery, Elizabethport was also able to provide assistance to other manufacturers engaged in the war effort:

* Thread milling cutters and motor castings for the Lawrence Aeronautical Corporation
* Rumbling barrel castings were made for Springfield Armory
* Ball reamers to International Business Machine Company
* Surgical instrument forgings were supplied to Brandenburg Instrument Company
* Cast iron bars were made for American Gas Accumulator
* Thread chasers were supplied to Reliable Machine Screw Company.
* Prisms were ground for an optical manufacturer and shafts were ground for Simmonds Aerocessories, Inc.
* Parts were oxidized for Taller and Cooper Company, Jersey City
* Eight-inch projectiles were sand blasted for Crucible Steel
* Stator and rotor plates were heat treated for Allen D. Cardwell
* Dental chair castings were produced for S. S. White
* Taper pins and spring pins were made in large quantities for Babcock Printing Press, Eastman Kodak, General Electric, Western Electric, Excello Corporation, Submarine Signal Company and Worth Engineering
* Thread milling hobs were made for American Type Founders, National Rubber machinery and Webendorfer - all working on 40 mm and 75 mm guns - for *Carl M. Norden, working on bomb sights; for Eisman Magneto Corporation and National Pneumatic, working on gun tubes and shells; also Farand Optical Company, Guilbert and Barker Company, National Broach and Machine Company, Diehl Manufacturing Company, Williams Oil-O-Matic, Miller Printing Machinery and the Dictaphone Corporation, working on a variety of war jobs
* Hobs and ground thread taps were produced for Textile Machinery Company, Sperry Instrument Company, Delco Division of General Motors, Teletype Corporation, Ford Motor Company and Maxon, Inc.

* The source Singer in World War II - 1939 to 1945, published in 1946 by Singer Manufacturing Company, lists the name as Carl M. Norden; the correct name is Carl L. Norden, founder of Carl L. Norden, Inc., Manhattan, New York.

singer standard 221

2008-07-13T18:54:00.001-04:00

singer standard 221, originally uploaded by elithea.

AL172243 makes it 1952.

she got it to sew for me.

2008-06-22T12:11:00.000-04:00

2008-06-22T12:01:00.003-04:00

"About as rare of (sic) a Confederate Civil War document as you will ever find concerning the State of Florida. The 10 x 15 inch document is from the detachment of the Confederate Coast Guard in Tampa Bay,Florida. The document reads as follows: Muster Roll and Pay Roll of 1st Lt. Michael L.Shannahan's detachment of Coast Guards into the service of the State of Florida by Brig. General Joseph Taylor. All of Shannahan's men are listed and the document is dated September 13th 1861. Lt. Shannahan is complaining that his men have not been paid and they will sue the Confederate Government for back pay...This document came from a deceased St. Augustine Army Colonel who bought it at a junk shop in West Virginia...in the 1960's."

window wols

2008-06-16T11:09:00.001-04:00

a la audobon

a la rousseau

2008-05-29T20:24:00.000-04:00

caribbean project

2008-05-04T16:11:00.000-04:00

2008-05-04T10:20:00.001-04:00

Jazz Fest 2008, originally uploaded by Often Absurd in the Humid City.

invisiballerina

2008-05-04T09:31:00.001-04:00

casualties of the art world 2

2008-05-04T09:26:00.000-04:00

my cold, dead hands

2008-04-19T20:19:00.000-04:00

2008-04-18T02:04:00.001-04:00

An Extraordinary Gift from the Extraordinary 'e', originally uploaded by GraceD.

lucy

2008-04-15T18:58:00.001-04:00

2008-04-15T18:36:00.002-04:00

2008-04-15T18:34:00.000-04:00

2008-04-15T18:31:00.000-04:00

meet ollie

2008-03-18T19:11:00.002-04:00

one laptop per child (and one for e!)

sunlight studio space

2008-03-16T14:21:00.000-04:00

recombinant

2008-03-15T12:15:00.000-04:00

gaslight

2008-02-23T11:20:00.003-05:00

gaslight, originally uploaded by elithea.

molly 2008

2008-02-17T08:04:00.003-05:00

molly 2008, originally uploaded by elithea.

my third in the series. thanks, moll! someday i'm gonna get up there and buy you a beer!

2008-01-21T12:08:00.000-05:00

Krewe De Vieux 2008

2008-01-21T12:06:00.001-05:00

Krewe De Vieux 2008, originally uploaded by Often Absurd in the Humid City.

2008-01-21T12:04:00.000-05:00

Krewe De Vieux 2008

2008-01-21T12:01:00.001-05:00

Krewe De Vieux 2008, originally uploaded by Often Absurd in the Humid City.

new year peas

2008-01-01T09:05:00.000-05:00

this is an easy one: start kimberly's no-knead bread, and soak 32 oz dry black eyes in the crock pot (not on) for 6 hours in water a couple of inches over the level of the peas; at the same time, render the christmas turkey in a stock pot with a quartered onion (with skin) bay leaves, and whatever old veggies are left in the fridge, chiefly celery here. after 6 hours, drain the peas and put them back in the crockpot along with the holy trinity (an onion, a stalk of celery, and a green bell pepper, chopped) and transfer the potliquor cup by cup until it is just visible between the peas (season each cup of broth with tony's:) if meat is desired, push some smoked neck bones or such down into the mixture (the pot will be heaped FULL!) then cover and cook on low setting for 12 hours. yum! serve with rice and fresh bread, freeze half of it for later, freeze remaining potliquor, if any, and enjoy the year!

you can cut the recipe in half by using a 16 oz package of peas and have more liquor left over, but why?

peas

2007-12-31T12:25:00.000-05:00

she returned to tampa

2007-12-30T12:29:00.000-05:00

2007-12-20T00:01:00.000-05:00

2007-12-01T12:14:00.000-05:00

2007-11-25T13:56:00.000-05:00

2007-11-25T13:49:00.000-05:00

2007-11-25T13:44:00.000-05:00

young percy's harpstrings/jack o'hearts

2007-11-10T15:12:00.000-05:00

2007-11-10T15:11:00.000-05:00

2007-11-08T17:15:00.000-05:00

2007-11-05T18:36:00.000-05:00

kimberly tomatoes after

2007-11-04T19:16:00.000-05:00

2007-11-04T11:45:00.000-05:00

kimberly tomatoes before

2007-11-04T11:34:00.000-05:00

still not getting

2007-10-21T11:21:00.000-04:00

still not getting a lot of work done; getting a lot of thought about it. so what else is new. i've been reading--no, i've been acquiring a lot of artists' sources and looking at them cursorily. i have three projects in various stages: a painting on total hold for half a year, i think, a soft sculpture, and an online class project in epoxy that i haven't done anything but get supplies for yet. meanwhile, i spend all my time when i'm not at work sleeping, knitting and vegging, an activity which i've found over the years to be the most productive of all. i spend some amount of energy stressing over the chaos of this house, which hasn't been cleaned an can't be cleaned because it is also a studio and it's all a mess and amungle.

something is about to happen. i always know this and here it is again. i need to get back to work on the sculptures--i have gone almost entirely 3d in my interests lately, i don't know what's happened to painting, but it's not happening even in interesting me to look at. meawhile, i knit.

the chief problem i'm mulling over these days is that i like what i see, but i don't. i like that all this smaller art is around and i even like some of it, but i can't shake the sense that somehow it all looks alike. even when it looks different, it all looks alike and that's not what i'm after.

and i can't throw out anything (ANYTHING!) until i figure out what it is that i'm after. so that's the way it is, the way it continues to be.

molly's open studio is today. gee, i wish for a road trip, but cannot. or maybe i don't, maybe i just tease myself.

but can she make the trains run on time?

2007-10-16T18:57:00.000-04:00

2007-09-18T18:53:00.000-04:00

studio clearing

2007-08-26T14:59:00.000-04:00

i got up this morning at my now-regular hour 5:30 and had a real, high-test soy cappucino. soon i was putting in an hour clearing a path through my old studio, which had become a walk-in storage closet, especially since a year ago i moved my working space into the dining room, loosely termed, where i had installed a skylight about ten years ago and then never had anybody to dine.
so now i have begun. there is a path. i figure if i do an hour on a weekend, i can do that much, right? if you scroll down a few posts to the picture of the hall outside the study, which i excavated a couple of months ago, this is the room behind the painting at the end there.
so then i took a bath and went to church, but it didn't prevent my computer problem, which i dropped off afterwards to the tune of $250. which i now have to go pick up and begin the re-install, wish me luck. i was downloading audacity and it conked. i wanted to see if i can make some pods...

have some coffee?

2007-08-24T19:34:00.000-04:00

2007-08-12T21:38:00.000-04:00

2007-08-05T20:42:00.000-04:00

mosaic

2007-08-05T20:38:00.000-04:00

2007-08-05T20:04:00.000-04:00

sprite

2007-08-05T19:57:00.000-04:00

new england summer

2007-08-05T13:55:00.000-04:00

three pictures stolen from two people who don't know each other

2007-07-31T10:31:00.000-04:00

excavation

2007-06-28T17:05:00.000-04:00

statues

2007-05-08T20:07:00.000-04:00

new york city, ny 2007 m&m company
plant city, fl 2006 4th grade

you decide!

under construction

2007-04-28T14:45:00.000-04:00

zomo the rabbit

2007-04-13T17:07:00.000-04:00

spring break underpainting work

2007-03-25T14:58:00.000-04:00

i thought i'd be much further along after a week off, but no, of course not. still don't know where it's going. click on the picture to see a much larger image, complete with brushstrokes.

2007-03-12T00:23:00.000-04:00

inspector horace, roaming

2007-02-20T19:51:00.000-05:00

2007-01-31T20:28:00.000-05:00

2007-01-31T20:14:00.000-05:00

goo goo g'joob

2007-01-12T05:06:00.000-05:00

You are The Empress

Beauty, happiness, pleasure, success, luxury, dissipation.

The Empress is associated with Venus, the feminine planet, so it represents,
beauty, charm, pleasure, luxury, and delight. You may be good at home
decorating, art or anything to do with making things beautiful.

The Empress is a creator, be it creation of life, of romance, of art or business. While the Magician is the primal spark, the idea made real, and the High Priestess is the one who gives the idea a form, the Empress is the womb where it gestates and grows till it is ready to be born. This is why her symbol is Venus, goddess of beautiful things as well as love. Even so, the Empress is more Demeter, goddess of abundance, then sensual Venus. She is the giver of Earthly gifts, yet at the same time, she can, in anger withhold, as Demeter did when her daughter, Persephone, was kidnapped. In fury and grief, she kept the Earth barren till her child was returned to her.

What Tarot Card are You?
Take the Test to Find Out.

2007-01-10T20:07:00.000-05:00

epiphany

2007-01-06T20:05:00.000-05:00

a portrait of the artist

2007-01-06T19:50:00.000-05:00

make a still life!

2007-01-06T19:43:00.000-05:00

2006-12-20T21:45:00.000-05:00

2006-12-20T21:44:00.000-05:00